四位大师级导演合拍片，关于葡萄牙北部文化重镇吉马良斯的四个故事。佩德罗·科斯塔《甜蜜的招魂术》，曼努埃尔·德·奥里维拉《大都市的征服者》维克托·艾里斯《玻璃游戏》，阿基·考里斯马基《吉马良斯》

四位大师级导演合拍片，关于葡萄牙北部文化重镇吉马良斯的四个故事。佩德罗·科斯塔《甜蜜的招魂术》，曼努埃尔·德·奥里维拉《大都市的征服者》维克托·艾里斯《玻璃游戏》，阿基·考里斯马基《吉马良斯》

Sherlock has his mind palace, Morse his music - every detective has an edge. For most, it's forensic science. This three-part series provides a rare and fascinating insight into the secret history of catching murderers, charting two centuries of the breakthroughs that have changed the course of justice. Surgeon and writer Gabriel Weston explores this rich history through some of the most absorbing, and often gruesome, stories in the forensic casebook - and looks ahead to how forensics will continue to solve the murders of the future. 　　The first episode looks at the difficulty of identifying the body in a murder case. The question of identity is a crucial start to the investigation. From charred bones to bodies completely dissolved in acid, with each horrific new case science has had to adapt to identify both the victim and the murderer. Investigating four breakthrough cases, Gabriel reveals the scientific innovations that tipped the scales of justice in favour of the detective - and caught the killers. 　　Firstly, Gabriel investigates the use of teeth and bite marks to identify a victim or murderer, starting with a problematic case at Harvard Medical School in 1849. Next, she traces the use of entomology (the study of insects) to pinpoint the time of death - a crucial piece of evidence that helped identify both the killer and his victims when a gruesome collection of unidentifiable body parts was discovered in a river in Moffat in 1935. 　　Gabriel meets Professor Sir Alec Jeffreys, the geneticist who pioneered the technique of DNA profiling. Initially used to establish paternity in an immigration dispute, the application of this revolutionary discovery to the field of criminal investigation was soon established. In 1986 it led to a world first - a person caught and convicted solely on the basis of DNA evidence. 　　Taking us right to the cutting edge of forensics, Gabriel then experiments with a new technique in development - molecular face fitting, which uses only a person's DNA to create an image of their face.

本片处处皆是动人的意象，拍竣即获多个大奖（其中1984年奥林匹亚动画大展评委会授予此片为“有史以来最伟大的动画影片”），被誉为“世界上最美的动画片”，2006年法国安锡（Annecy）国际动画电影节上，本片被评为“动画的世纪·100部作品”第六名。 　　在中性声音低吟浅唱的摇篮曲中，婴儿安静地躺在母亲的怀抱吮吸乳汁，影片开始，一扇光亮的门洞在落叶飘零的大地上被打开。作家在少年时代，曾拿起竖琴遐想远方，他记忆中的家园，曾有歌舞，也有花香，人们在土地上过着知足宁静的日子。不久战争来临，女人失去丈夫兄长甚至儿子，她们唯一能做的，是在孤独中用自己柔弱的双臂撑起生活的重担。作家将历史写进书里，它的光芒吸引了小狼，将它窃取并占为己有后，小狼仿佛找回了失落的岁月。——治愈心灵创伤的最好良药，或许是那颗充满爱的心吧。

陈一朵九岁那年，家里突然空降一位哥哥"毕来福”。寄住在一朵家的来福与一朵天生“八字不合"，两人不仅在家中针锋相对，在学校里也斗争不断。与此同时，…

陈一朵九岁那年，家里突然空降一位哥哥毕来福。寄住在一朵家的来福与一朵天生“八字不合"，两人不仅在家中针锋相对，在学校里也斗争不断。与此同时，初来乍到的来福结交了一帮重情重义的小伙伴，这群淘气的男生们经常联合起来四处作乱，惹得大人们头疼不堪，随着高考来临，一起长大的几个孩子各奔前程，来福和一朵也开始面对他们的工作、爱情、人生。时间进入98年，汽车工业飞速发展，老牌自行车厂不复往日繁荣，来福觉得自行车厂是他们几代人的记忆，为了这份情怀，他承包了组装车间，招商引资翻新生产线，从小起长大的几兄弟再次聚在一起，重新创业，用新理念进行生产和管理，让老牌的"飞翔”自行车厂再度年轻了起来。

诗歌里的故事

诗歌里的故事

Shane Black (Lethal Weapon), John Carpenter (Halloween), Frank Darabont (The Shawshank Redemption), William Goldman (Butch Cassidy and the Sundance Kid), Paul Schrader (Taxi Driver), and dozens of other Hollywood screenwriters share penetrating insights and hilarious anecdotes in Peter Hanson's Tales from the Script, the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Morgan Freeman, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg.